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Post: 13.09.2007 @ 12:04:15 
Ameryka?skie wied?minki 3


Par? drobiazgów ze ?wiata cyklu Anita Blake Vampire Hunter:

1. WJ:
Mistle ?y?a jeszcze, ale oczy mia?a ju? zamglone, zeszklone, rybie.
(...)
Siedzia? tylko i gapi? si? na mnie bez s?owa. Oczy mia? takie... rybie
jakie?. Bez brwi, bez rz?s... Takie wodniste kulki, w ka?dej zatopione
czarne j?dro. Wpija? we mnie te oczy i milcza?. Przerazi? mnie tym
bardziej, ni? biciem. Nie wiedzia?am, co kombinuje.
(...)
Kilka dni pó?niej spotkali?my si?, pomy?la?a. Ja i Bonhart. Twarz? w
twarz. Patrzy?am w jego nieludzkie, rybie oczy, o tym jednym my?l?c - jak
t? dziewczyn? bi?. I w my?li mu zajrza?am... Na moment. A by?o to tak,
jakbym g?ow? wsadzi?a w rozgrzeban? mogi??...

PJ:
Bonhart jak duch wychyn?? z niszy i uderzy? j? pi??ci? w twarz. Zatoczy?a
si?, a on skoczy? na ni? jak jastrz?b, chwyci? za gard?o, przedramieniem
przydusi? do muru. Ciri spojrza?a w jego rybie oczy i poczu?a, jak serce
zje?d?a jej w dó?, do podbrzusza.
(...)
Ciri skoczy?a. Spad?a obok niego w przykl?k. Mi?kko jak kot. Widzia?a, jak
jego rybie oczy rozszerzy?y si? ze strachu.

Tom 3. Circus of the Damned:
The pale eyes followed my hand, flat and dead as day-old fish.

2. CsKCsZ:

Villentretenmerth, wci?? pod postaci? rycerza Borcha Trzy Kawki,
wyja?niaj?c
doplerowi spokojnie, ?e zmiennokszta?tno?? jest przywilejem,
który zobowi?zuje, a zobowi?zuje mi?dzy innymi do
przybierania postaci ogólnie uwa?anych za przyzwoite i akceptowane w
towarzystwie, i ?e to nic innego jak zwyk?a grzeczno?? w
stosunku do gospodarza. Doppler zarzuci? Villentretenmerthowi rasizm,
szowinizm i brak elementarnego poj?cia o przedmiocie dyskusji.
Ura?ony Villentretenmerth przybra? wi?c na chwil? posta?
smoka, niszcz?c troch? mebli i doprowadzaj?c do ogólnej
paniki.

Tom 4. Lunatic Cafe

Dolph walked carefully down the snow-covered slope. Didn't want to repeat
my performance, I guess. You know what it is?
Shapeshifter, I said.
Explain. He had his trusty notebook out, pen poised. I explained what
I'd found. What I thought.
We haven't had a rogue lycanthrope since the squad was formed. Are you
sure about this?
I'm sure it's a shapeshifter, but I didn't say it was a lycanthrope.
Explain.
All lycanthropes are shapeshifters by definition, but not all
shapeshifters are lycanthropes. Lycanthropy is a disease that you catch
from surviving an attack or getting a bad batch of lycanthropy vaccine.
He looked at me. You can get it from the vaccine?
It happens.
Good to know, he said. How can you be a shapeshifter and not a
lycanthrope?
Most often an inherited condition. The family guardian dog, beast, giant
cat. Mostly European. One person a generation has the genes and changes.
Is that tied to the moon like normal lycanthropy?
No. A family guardian comes out when the family needs it. War, or some
kind of physical danger. There are swanmanes. They are tied to the moon,
but it's still an inherited condition.
That it?
You can be cursed, but that's really rare.
Why?
I shrugged. You've got to find a witch or something with magic powerful
enough to curse somebody with shapeshifting. I've read spells for personal
shapeshifting. The potions are so full of narcotics that you might believe
you were an animal. You might also believe you were the Chrysler building,
or you might just die. Real spells for it are a lot more complex and
usually require a human sacrifice. A curse is a step up from a spell. It's
not really a spell at all.
I tried to think how to explain it. In this area Dolph was the civvie. He
didn't know the lingo. A curse is like the ultimate act of will. You just
gather all your power, magic, whatever, and focus it on one person. You
will them to be cursed. You always do it in person, so they know it's been
done. Some theories think it takes the victim's belief to make a curse
work. I'm not sure I buy that.
Are witches the only people that can curse people?
Occasionally somebody will run afoul of a fairy. One of the old Daoine
sidhe, but you'd have to be in Europe for that. England, Ireland, parts of
Scotland. In this country it'd be a witch.
So a shapeshifter, but we don't know what kind or even how they got to be
a shapeshifter.
Not from a few marks and tracks, no.
If you saw the shifter face-to-face could you tell what kind they were?
What animal? I asked.
Yeah.
Nope.
Could you tell if they'd been cursed or if it was a disease?
Nope.
He just looked at me. You're usually better than this.
I'm better with the dead, Dolph. Give me a vamp or a zombie and I'll tell
you their Social Security number. Some of that is natural talent, but a
lot of it is practice. I haven't had as much experience with
shapeshifters.
What questions can you answer?
Ask and find out, I said.
You think this is a brand-new shapeshifter? Dolph asked.
Nope.
Why not?
The first time you change on the night of the full moon. It's too early
for a brand-new shifter. But it could be a second, or third month, but?
But what?
If this is still a lycanthrope that can't control itself, that kills
indiscriminately, it should still be here. Hunting us.
Dolph glanced out into the darkness. He held his notebook and pen in one
hand, right hand free for his gun. The movement was automatic.
Don't sweat it, Dolph. If it was going to eat more people, it would have
taken Williams or the deputies.
His gaze searched the darkness, then came back to me. So the shapeshifter
could control itself?
I think so.
Then why kill the man?
I shrugged. Why does anyone kill? Lust, greed, rage.
The animal form used as a murder weapon then, Dolph said.
Yeah.
Is it still in animal form?
This was done by a half-and-half form, sort of a wolfman.
A werewolf.
I shook my head. I can't tell what sort of animal it is. The wolfman was
just an example. It could be any sort of mammal.
Just a mammal?
These wounds, yeah. I know there are avian weres, but they don't do this
sort of damage.
So werebirds?
Yeah, but that's not what did this.

Ogólnie w ?wiecie Anity Blake wyst?puje mnóstwo zmiennokszta?tnych:
szczuro?aki, wilko?aki, lamparto?aki, tygryso?aki, lwo?aki (?),
nied?wiedzio?aki, liso?ak, pso?aki, kobro?aki, anakondo?aki, hieno?aki,
swanmanes (okre?lane zbiorowo jako lycantropes), lamia i naga, a tak?e
zmiennokszta?tna czarownica. Lamia i naga s? nie?miertelnymi istotami
maj?cymi i kszta?t cz?owieka, i w??a lub w??ocz?owieka. Poza swanmanes i
pso?akami pozosta?e ?aki powstaj? z regu?y w wyniku zaka?enia krwi, z
regu?y po ataku - ugryzieniu lub podrapaniu. S? te? panwere -
wszystko?aki , które maj? wi?cej ni? jedn? posta? zwierz?c?. S? dwa i
drugim okazuje si? by? sama Anita Blake po zabiciu pierwszego (mimi, ?e
nie zmienia kszta?tu). Normalnie zaka?enie wirusem jednej
zmiennokszta?tno?ci uodparnia na inne - st?d idea szczepionek i armia
wilko?aków stworzonych przez parti? niedobrej szczepionki. Równie? wirus
odpowiedzialny za wampiryzm nie toleruje wirusów likantropii - ani wampir
nie mo?e zosta? likantropem, ani likantrop - wampirem. Nie zawsze tak by?o
- pewna (ma?a) liczba najstarszych wampirów to jednocze?nie likantropy.
Najstarszy zabity przez Anit? wampir nie by? homo sapiens, a homo erectus
- co najmniej milion lat. BTW, jedn? z wyj?tkowych umiej?tno?ci Anity jest
ocenianie wieku wampira z którym rozmawia z dok?adno?ci? do dziesi?ciu lat
dla tych do tysi?ca lat i do pi?dziesi?ciu lat dla starszych. Ca?a
dok?adno?? posz?a w diab?y pod ci??arem miliona lat.
S?owo witch (i kobieta, i m??czyzna) ma dwa znaczenia: zawód/uzdolnienie
do pewnego rodzaju magii oraz kap?an/kap?anka Wicca.

Tom 15. The Harlequin:

Another interesting sideline of wearing this much of my chest in full view
was that some of my scars were on display. I'd been more worried about my
modesty than about the scars. Vampire.
I thought it was a shapeshifter bite.
Nope, vampire. I showed him my arms with all their scars. Most of these
are from vampires. I touched one on my left arm: claw marks. This one
was a shapeshifted witch, which means her shapeshifting was a spell and
not a disease.
I didn't know there was a difference.
Well, the spell isn't contagious, and it's not tied to the full moon at
all. In fact, strong emotions don't cause you to shift, or any of that.
You don't shift until you put on the item, usually a fur belt or
something.
Do you have any scars from shapeshifters?
Yes.

Taki item powstaje ze skóry likantropa, którego ?mier? jest cz??ci?
zakl?cia.
Obyczaje i struktury spo?eczne ró?nych likantropów s? istotne w cyklu.
Anita Blake zostaje lupa (wilczyc?-matk?) stada (pack) wilko?aków, oraz
Nimir-Ra (królow?) grupy (pard) lamparto?aków. Zapewne wkrótce zostanie
te? Regin? stada (pride) lwo?aków.

3. Obok mayhe?skiej lamii, która jest ro?lin? i której uprawa jest
zakazana, lamia - potwór wyst?puje u ASa tylko jako nazwa.

Tom 3. Circus of the Damned:

A woman walked up the hallway towards us, coming from deeper in the house.
She swayed on bare feet, toenails painted a bright scarlet that matched
her fingernails. The belted dress she wore matched the nail polish. Her
legs were long and pale, but it was that kind of paleness that promised to
tan if it ever got enough sunlight. Her hair fell past her waist, thick
and absolute black. Her makeup was perfect, her lips scarlet. She smiled
at me; fangs showed below her lips.
But she wasn't a vampire. I didn't know what the hell she was, but I knew
what she wasn't. I glanced at Inger. He didn't look happy.
Shouldn't we be going? I said.
Yes, he said. He backed towards the front door and I backed behind him.
Neither of us took our eyes off the fanged beauty slinking down the hall
towards us.
She moved in a liquid run that was almost too fast to follow. Lycanthropes
could move like that, but that wasn't what she was, either.
She was around Inger and coming for me. I gave up being cool and sort of
ran backwards towards the front door. But she was too fast for me, too
fast for any human.
She grabbed my right forearm. She looked puzzled. She could feel the knife
sheath on my arm. She didn't seem to know what it was. Bully for me.
What are you? My voice was steady. Not afraid. Heap big vampire slayer.
Yeah, right.
She opened her mouth wider, tongue caressing the fangs. The fangs were
longer than a vampire's; she'd never be able to close her mouth around
them.
Where do the fangs go when you close your mouth? I said.
She blinked at me, the smile slipping away from her face. She ran her
tongue over them, then they folded back into the roof of her mouth.
Retractable fangs. Cool, I said.
Her face was very solemn. I'm glad you enjoyed the show, but there's so
much more to see. The fangs unfolded again. She widened her jaws, almost
a yawn, flashing the fangs nicely in the dim beams of sunlight that got
around the drapes.
Mr. Oliver will not like you threatening her, Inger said.
He grows weak, sentimental. Her fingers dug into my arm stronger than
she should have been.
She was holding my right arm, so I couldn't go for the gun. The knives
were out for similar reasons. Maybe I should wear more guns.
She hissed at me, a violent explosion of air that no human throat ever
made. The tongue that flicked out was forked.
Sweet Jesus, what are you?
She laughed, but it didn't sound right now; maybe the split tongue. Her
pupils had narrowed to slits, her irises turned a golden yellow while I
watched.
I tugged on my arm but her fingers were like steel. I dropped to the
floor. She lowered my arm but didn't let go.
I leaned back on my left side, drew my legs up under me, and kicked her
right kneecap with everything I had. The leg crumpled. She screamed and
fell to the floor, but she let my arm go.
Something was happening to her legs. They seemed to be growing together,
the skin spreading. I'd never seen anything like it, and I didn't want to
now.
Melanie, what are you doing? The voice was behind us. Oliver stood in
the hallway just short of the brighter light of the living room. His voice
was the sound of rocks falling, trees breaking. A storm that was just
words but seemed to cut and slash.
The thing on the floor cringed from the voice. Her lower body was becoming
serpentine. A snake of some kind. Jesus.
She's a lamia, I said softly. I backed away, putting the outside door to
my back, hand on the door knob. I thought they were extinct.
She is the last one, Oliver said. I keep her with me because I fear
what she would do left to her own desires.

Mr. Oliver to w?a?nie ten ponadmilionletni wampir. Lamia jest
nie?miertelna. Anita nie mia?a okazji wypróbowa? ognia, ale rany po kulach
regenerowa?y si? niemal momentalnie. Likantropy s? ?ywe - starzej? si? i
umieraj?; wampiry nawet pozbawione po?ywienia nie umieraj? - g?odzony
przez lata (np. uwi?ziony w zbyt g??bokim, trwa?ym grobie) wampir
przybiera wygl?d wysuszonej mumii, ale nakarmiony i ogrzany mo?e wróci? do
normalnego stanu; ale wampira mo?na zabi?. Lamia, naga czy faerie s?
naprawd? nie?miertelne: dowolne rany regeneruj? si? niemal momentalnie.
Anita zastanawia si? nad poszatkowaniem takiej nie?miertelnej istoty.

4. PJ:

Dziewczyna, g?ow? stawi?by w zak?ad, nie by?a cz?owiekiem z krwi i ko?ci.
?wiadczy?o o tym szczup?e cia?o, dziwny kolor w?osów, g?os. By? pewien, ?e
gdyby si? odwróci?a, zobaczy?by wielkie oczy o kszta?cie migda?ów. A gdyby
odgarn??a
popielate w?osy, dostrzeg?by jak nic ostre, szpiczasto zako?czone
ma??owiny uszne.
To by?a mieszkanka Faërie, wró?ka. Jedna z Tylwyth T?g. Jedna z tych,
które Piktowie i Irlandczycy nazywali Daoine Sidhe, Ludkiem Wzgórz. Jedna
z tych, które Sasi nazywali elfami.

W ?wiecie Anity Blake szpiczaste uszy to mit.

Tom 4. The Lunatic Cafe:
Occasionally somebody will run afoul of a fairy. One of the old Daoine
sidhe, but you'd have to be in Europe for that. England, Ireland, parts of
Scotland. In this country it'd be a witch.

Tom 5. Bloody Bones:
I shook my head. I've read about glamor, and it doesn't work this well
unless you're high court, Daoine Sidhe. The seelie court of fairyland
doesn't interbreed with mortals often. At least not commoners. The
unseelie court, on the other hand, does.
He stared at me with his beautiful eyes, looking, even without glamor, so
gorgeous you wanted to touch him. Wanted to see if his hair was as
luxuriant as it looked. He was like a really fine sculpture; you wanted to
run your hands over it and feel the lines.
Magnus smiled gently. The unseelie court is evil, cruel. What I do here
is not evil. For one night these people can come here and be their own
fantasies. They think it's love charms, and I let them. We all keep the
secret of this small illegal act. The local police know. They even come
down once in a while and join in.

Tom 6. Killing Dance, scena w lupanarze (to nie rzymski przybytek
negocjowanego afektu, a ?wi?te miejsce spotka? przy pe?ni dla stada
wilko?aków), przed przej?ciem w?adzy nad wilko?akami przez ukochanego
Anity:

Marcus, Raina. Richard released my hand slowly, and as he pulled away,
the tie remained. It was a shadow of the way I'd bound Richard and
Jean-Claude's auras to me, but more. He took a few steps away to stand a
little in front of me. I could feel him like a large, shimmering thing.
His energy was amazing. The closest thing I'd ever felt was the power of a
Daoine Sidhe, a fairie of the highest court.
You naughty boy, Raina said. You've made her one of us.
No, Richard said, she is what she always has been: herself.
Then how can you ride her power? How can she ride yours? Raina pushed
away from the chair, stalking along the ground in front of it, pacing like
a caged animal.
What have you done, Richard? Marcus asked.
She is my mate.


5. PJ:
Regis gestykulowa? srebrnym widelcem i dowodzi?, ?e najlepsze remedium na
wampiry to srebro, kruszec, którego najl?ejszy dotyk jest dla wampira
absolutnie zabójczy.

Daoine Sidhe reaguj? na srebrn? amunicj? i srebrne ostrza tak, jak wampiry
i likantropy na zwyk?? - oczywi?cie dzia?a si?a uderzenia pocisku, ale
rany regeneruj? si? bardzo szybko (nie tak szybko, jak rany
nie?miertelnych). Za to dzia?a na nie stal i o?ów. Od pi?tego tomu Anita
ma stale pry sobie jeden magazynek o?owianych kul. Likantropy i wampiry
rany zadane srebrnym pociskiem lub ostrzem goj? tak wolno, jak ludzie goj?
swoje rany. Srebrne ?a?cuchy unieruchamiaj? wampira, a stalowe ?ciany
podziemnego skarbca - nie. Likantropy dostaj? uczulenia od kontaktu ze
srebrem:

Tom 7. Burnt Offerings:
There were marks on his wrists and ankles like he'd been chained. The
marks were rubbed bloody like he'd struggled, and they weren't healing.
Which meant that they'd used chains with a high silver content so it would
hurt and not just hold. Whoever had done this to him knew ahead of time
they'd be getting a lycanthrope.

GR:
Ka?dy wied?min ma dwa miecze. Nie?yczliwi mawiaj?, ?e ten srebrny jest na
potwory, a ten z ?elaza na ludzi. To oczywi?cie nieprawda. S? potwory,
które mo?na ugodzi? wy??cznie srebrnym ostrzem, ale istniej? i takie, dla
których zabójcze jest ?elazo. Nie, Iola, nie ka?de ?elazo, ale wy??cznie
to, które pochodzi z meteorytu.

W ?wiecie Anity Blake meteorytowe pochodzenie jest nieistotne, ale
na?adowana magicznie stal zadaje rany, które goj? si? jak ludzkie,
powoli.

Tom 11. Cerulean Sins:
My left hand was covered in little bandages. I was using the clear ones,
so I didn't look like a tan version of the mummy's hand. There were larger
bandages on my left forearm. All the wounds were self-inflicted, and it
was beginning to piss me off.
I had been learning how to control my growing psychic powers by studying
with Marianne, who had been a psychic when I met her, but had become a
witch. She was Wiccan now. Not all witches are Wiccan, and if Marianne had
been another flavor of witch, I wouldn't have had to cut myself up.
Marianne, as my teacher, shared some of my karmic debt, or so her group -
read coven - believed. The fact that I killed an animal every time I
raised the dead, three, four times a night, almost every night, had made
her coven rant, rave, scream, and basically lose it. Blood magic is black
magic to a Wiccan. Taking a life for magical purposes, any life, even a
chicken's, is very black magic.
How could Marianne have tied herself to someone who was being so? evil?
they demanded to know.
To help Marianne's karmic burden - and mine, the coven assured me - I'd
been trying to raise the dead without killing anything. I'd done it in
emergencies without an animal to sacrifice, so I knew it was possible. But
- surprise, surprise - while it was true that I could do my job without
killing anything, I could not do it without fresh blood. Blood magic is
still black magic to Wiccans, so what to do? The compromise was that I
would use only my own blood. I wasn't sure it would work. But it did, for
the recently dead, at least.
I'd started out slicing up my left forearm, but that had rapidly lost its
appeal, since I needed to do it three or more times a night. Then I'd
taken to pricking my fingers. Just a little blood seemed to be enough for
those dead under six months. But I'd run out of fingers, and my arm had
enough scars already. I'd also found that when I practiced left-handed
shooting that I was slower, because the cuts freaking hurt. I would not
cut up my right hand, because I couldn't afford to be slower with my
right. I'd pretty much decided that, while I was sorry I had to kill a few
chickens or goats to raise the dead, the animal's lives were not worth my
own. There I've said it, a totally selfish judgment call.
I'd really hoped the tiny cuts would heal instantly. Thanks to my ties to
Jean-Claude, master vamp of the city, I healed fast, very fast. The little
cuts didn't heal fast. Marianne said it was probably because I was using a
magically charged blade to do the cutting. But I liked my machete.
Truthfully, I wasn't a hundred percent sure that I could raise the dead
with only a prick of blood without a magically charged blade. It was a
problem.
I was going to have to call Marianne and tell her I'd failed the Wiccan
test of goodness. Why should they be any different? Most right-wing
Christian groups hated me too.


6. W?asno?ci mechaniczne srebra czyni?y dyskusyjn? warto?? bojow?
srebrnego wied?miskiego miecza. Oto, jak sobie z tym problemem poradzi?a
Laurell K. Hamilton:

Tom 4. The Lunatic Cafe:
I had both guns and two knives. I'd replaced the one that Gretchen never
returned. They were a set of four that I'd had made for me. Hard to find a
knife with a high enough silver content to kill monsters and still take a
hard edge.

Tom 5. Bloody Bones:
I'd had four knives. All handcrafted for little ol' moi. Two of them had
been lost beyond recovery. I was having them replaced, but hand forging
takes time, especially when you insist on the highest silver content
possible in the steel. Two knives, two guns should be enough for one
weekend business trip. I'd wear the Browning Hi-Power.

Tom 6. Killing Dance:
I put on wrist sheaths and both knives. These were the last two of a
foursome that I'd had custom made for my hands, with the highest silver
content possible in the steel. I'd had to have two of them replaced;
monsters ate them. I put the two new knives in the suitcase still in their
felt-lined box. They were pretty and sharp enough to cut your skin if you
ran a thumb along the edge.
While I was having the lost knives replaced, I'd ordered a new one. It was
nearly a foot long, more a sword than a knife. I'd had a leather harness
made that let me carry it down my spine, with the hilt under my hair. I
hadn't used it before, but I'd seen it in a catalog and couldn't resist.

Ci?g dalszy by? mo?e nast?pi...

--
--
Z powa?aniem
Marek Szyjewski
Ziemia = kula u nogi


Na górę
  
 
Post: 13.09.2007 @ 12:04:32 
Dnia 13-09-2007 o 06:54:08 Krzysztof Malak <k.malak@domkorkowy.pl> napisa?:

>
> Buuuu, part 1,2 mam, 4 te? ale co z 3 - nie odebra?a mi Mozilla ... buuuu

Wys?a?em jeszcze raz.


--
--
Z powa?aniem
Marek Szyjewski
Ziemia = kula u nogi


Na górę
  
 
Post: 13.09.2007 @ 22:18:48 
Dzi?ki wielmi !!! :-)

Marek Szyjewski napisa?(a):
> Wys?a?em jeszcze raz.


Na górę
  
 
Post: 13.09.2007 @ 23:31:22 
Dnia 13-09-2007 o 22:39:40 Jo'Asia <JoAsia@rassun.art.pl> napisa?:
>
> O ile pami?tam to w dialogach Slayer jest t?umaczone jako
> Pogromca . Postrach w tytule osta? si? chyba jeszcze z czasów
> pierwotnego filmu.
>
W dialogach tak. Ale co oznacza nazwa 'pogromca'? Przypomina mi si? scena
z filmu Po?osatyj riejs czyli Tygrysy na pok?adzie ('Po?osatyj' =
'Tygrysy', 'riejs' = 'na pok?adzie'...): na statku wioz?cym dostaw? do zoo
?adunek wydosta? si? z klatek i za?oga wezwa?a pomoc. Nadlatuje
helikopter, po sznurowej drabince schodzi ku pok?adowi facet w b?yszcz?cym
stroju, z biczem i malowniczymi koltami. Kiedy jest tu? nad pok?adem,
tygrysy uznaj? go za wspania?? zabawk?. Facet z ubraniem w strz?pach
ucieka po drabince w gór?, skar??c si?, ?e to dzikie, nietresowane
tygrysy, a on jest POGROMC?, nie my?liwym. S?ynnym pogromc? cyrkowym.
Dlatego cieszy?bym si?, gdyby zabijacz nie by? neologizmem.

W off-spinie Angel czyli Anio? ciemno?ci ('An' = 'Anio?', 'gel' =
'ciemno?ci') dialogi by?y zdaje si? t?umaczone z niemieckiej wersji, bo
'slayer' brzmia? 'skorpion'.

Zdaje si?, ?e zupe?nie kto inny t?umaczy tytu?y, a kto inny t?umaczy
dialogi. T?umacze dialogów uwa?aj?, ?e 'power station' to stacja mocy
('elektrownia'), 'rain forest' to las deszczowy ('las tropikalny'),
'negative pressure/temperature/charge/number' to negatywne
ci?nienie/temperatura/?adunek/liczba (ujemne ci?nienie, ?adunek ujemny,
temperatura lub liczba ujemna). Ci, którzy t?umacz? tytu?y (to mog? by?
cia?a zbiorowe a nie osoby) uwa?aj?, ?e Hex to Kl?twa upad?ych anio?ów
('H' = 'Kl?twa', 'e' = 'upad?ych', 'x' = 'anio?ów' - jak b?dzie w takim
razie 'hexer'?)

--
--
Z powa?aniem
Marek Szyjewski
Ziemia = kula u nogi


Na górę
  
 
Post: 14.09.2007 @ 1:35:47 
Ameryka?skie wied?minki 5

Istot? bycia wied?minem jest mutacja (nie genetyczna, a osobnicza i
wywo?ana celowo). Nadludzkie mo?liwo?ci Anity Blake rozwijaj? si?
stopniowo. Na pocz?tku jest tylko zdolno?? wywo?ywania zombie z grobu,
postrzegania dusz i duchów (zarówno ghosts, jak i spirits) oraz cz??ciowa
odporno?? na wampirze uroki. Na ko?cu Anita Blake robi si? lepsza od Max
Guevary agentka-o-stu-twarzach X5-452, której mutacja by?a celowa, ale
genetyczna. Tak, Jessica Alba mog?aby zagra? Anit? w filmowej adaptacji
cyklu (o ile ufarbowa?aby w?osy jak do roli Max) - Anita ma k?dzierzawe,
kruczoczarne w?osy.
Otó? i likantropy, i wampiry s? szybsze i silniejsze od ludzi. Pociski w
srebrnych koszulkach z Browninga Hi-Power (13x9mm) maj? raczej spowolni?
wampira, a nie zabi?. W 12. tomie Incubus Dreams Anita otrzymuje s?dowy
nakaz egzekucji wampira-seryjnego mordercy w ostatniej chwili, a swój
sprz?t mo?e przewozi? tylko gdy ma wa?ny nakaz egzekucji. Wykonuje wi?c
wyrok Browningiem:

We were on a plot of grass, with flowers to one side and the parking lot
to the other. Good enough, I said.
Zerbrowski turned, and Smith moved with him. They turned the vamp around
so I could see his face. I kill because the law says I can, not because I
want to, I said.
Liar.
Knees, I said.
He fought them, and I didn't blame him. I shot him in the leg, and he
collapsed to the ground. I hadn't expected to have to shoot him so soon,
or for wounding. The echo of the gun up my arm thrilled through my body,
like the gun was where all the adrenaline came from, tingling up my arm.
Smith looked pale. Zerbrowski grim. But they still had his arms, even with
him on the ground.
I can make this quick, Cooper, or I can make it slow. Your choice. My
voice was empty. Nothing showed on my face. I just looked at him and knew
that if he struggled I would shoot him by inches, until he was too wounded
to get away, and I could let Zerbrowski and Smith move away without
risking Cooper getting away.
He struggled, and I shot him again.
Smith let go of the arm. I can't do this. This isn't right.
Then get the fuck away from him, I said, and there was anger in my voice
now, because I agreed with Smith. Zerbrowski.
Yeah. His voice was very careful.
I had the gun on Cooper, and my body had gone quiet, the anger sliding
away on the nice white static in my head. Move.
He moved. Cooper tried to levitate. I figured he would. I put two shots
into the center of his body, and he collapsed back to earth. He hadn't
been able to fly in the church when he was healthy, I hadn't expected him
to get better wounded. He didn't.
I walked up to him, gun in a two-handed grip, aimed on the center of his
forehead. You're enjoying this, he said, and he made a sound in his
throat. There was blood on his lips, his blood.
No, I said, I'm really not.
Liar, he said again, and tried to spit blood at my feet, but apparently
his jaw hurt too much, and it made him writhe on his knees.
I don't want to kill you, Cooper, and I don't enjoy it.
He looked up at me, puzzled. You feel empty inside. I enjoyed killing.
Bully for you, I said, and I knew I should have pulled the trigger,
should have ended it. Never let them talk.
You really don?t enjoy this, do you? he asked.
No, I said, looking into those brown eyes.
Then how do you stay sane?
I let all the air ease from my body, as the world narrowed down to the
center of his forehead. But I could still see his eyes, so alive, so?
real. I answered him, I don't know. I squeezed the trigger, and the
impact knocked him backward. He fell on his side, and I moved up on him,
gun still held two-handed, because whether he was dead or whether he
wasn't, I wasn't done.
He had a smallish hole in the middle of his forehead above his surprised
eyes. I fired into his forehead until the top of his head exploded in
brains and bone. Decapitation was nice, but spilling the brains all over
the grass works, too. I switched my aim to his chest, and fired until my
gun emptied. Then I got a second clip from my belt, reloaded and fired
into his chest until I could see light through his body. Legally I could
not carry my vamp executioner kit in the car unless I had a current
warrant. I'd left home without a warrant, so my sawed-off shotgun was at
home with my stakes and machete. Handguns will do the job, but it takes
longer, and it wastes a hell of a lot of ammo.
The last gun shot echoed into the night. My ears were full of that ringing
silence that happens when you've fired that many shots from that close a
range without ear protection. I was standing over the body, one foot on
its shoulder, pinning it to the ground. I must have kicked him over onto
his back sometime during the chest shots. I didn't remember doing it, but
shooting into the ground was a hell of a lot safer than shooting out into
the night. Not all the bullets would stop in his body, not when you were
trying to punch a hole through the person.

(Smith i Zerbrowski to policjanci). Normalna egzekucja wampira po
obezw?adnieniu (np. srebrn? kul? w serce) obejmuje dekapitacj?, usuni?cie
serca, oddzielne spalenie g?owy i serca oraz rozsypanie popio?ów nad
ró?nymi zbiornikami wodnymi - tylko to gwarantuje ostateczno?? kary
g?ównej.
Najcz?stszym zaj?ciem kata wampirów jest zako?kowanie zwampiryzowanej
osoby która za?yczy?a sobie tego w testamencie lub nieletniej na ??danie
opiekunów prawnych. Wi?kszo?? katów wykonuje wyroki

Max Guevara mówi o sobie I don't do guns i radzi sobie go?ymi r?kami. To
wynik urazu z dzieci?stwa, kiedy w czasie treningu zastrzeli?a
wspó?towarzyszk?. Anita Blake te? radzi sobie nie?le bez broni od tomu 10.
Narcissus in Chains. Oto w czasie poprzedzaj?cego powy?sz? egzekucj?
przes?uchania Anita u?ywa swoich zdolno?ci nekromanty i po?yczonej
telepatii ?eby wydoby? z Jonaha Coopera informacje. Jonah Cooper zdaje
sobie spraw?, co si? dzieje i postanawia z tym sko?czy?:

He'd heard at least part of what Malcolm and I had said. His face was
angry, defiant. I won't talk.
I won't ask you to.
What's happening, Anita? Zerbrowski asked.
I'm going to find out what we want to know.
How? He looked positively suspicious.
It made me laugh. God, Zerbrowski, what do you think I'm about to do?
I don't know.
That made the laughter fade, and the smile went with it. It's always hard
to see your friends look at you like they don't trust you not to be
monstrous. I'm not going to do anything you haven't seen me do already
tonight.
He widened eyes at me. This guy doesn't like you, the other one did.
It won't matter.
He made a small gesture as if to say, help yourself, but he looked like
he'd believe it when he saw it. I guess I couldn't blame him. I reached
out toward Cooper's face.
Don't touch me.
Would you rather I shoot you?
He just glared at me.
Then hold still. If I hadn't been afraid that he'd either try to hurt me
with his hands or his teeth, I'd have touched him from behind, but he was
a vampire, and you don't cuddle one if you aren't sure about your safety.
I touched him from the side, so if he tried to bite me I'd feel it, and
could move. I touched the side of his face. He was clean shaven, but he
was also cold. He hadn't fed tonight.
I thought, Who is your master?
He fought me. He tried to think random thoughts. I got chaotic images. I
saw the second stripper, the one from last night. I saw her alive and
dancing on the stage. I saw a cloaked figure huddled by her stage.
No! he jerked his head away from me.
I pressed my hip against his arm and put a hand on either side of his
head. His hair was soft, but not as soft as Avery's. Cooper's hair had the
texture of someone who, if they let it grow out at all, it would have body
and wave to it.
Don't, he said, but it wasn't a shout this time. He tried to think of
anything, everything. But somewhere in those confused images, I recognized
a face. A woman's face. I remembered her at a banquet table. I remembered
her at Belle?s court. It wasn't my memory.
I thought, Jean-Claude. He whispered through me, and this time I got a
sense that he was busy, or about to be. Do you need me to come to you, ma
petite? I can put this off.
I said it out loud, but for his ears, though more heard it. Who is she?
Gwenyth, Vittorio's lovely Gwennie.
Vittorio, I said, and I had a face with the name. He was darkly
handsome, and I doubted he'd started life with an Italian name. He looked
very dark, Arabic maybe. Vittorio. I must have whispered it out loud,
because Cooper screamed and stood up. He stood up still cuffed to the
chair. He stood up, and the last thing I got from him was a very clear
thought. I'll make them kill me.
I was the closest, but I'd had to put my gun up to do my little hand
trick. I did the first thing I thought of, I hit him. I hit him as hard
and fast as I could. I hit him the way I'd been trained for years in
martial arts. You don't try to throw someone to the floor, you aim for
three feet below the floor. My target wasn't his cheek, it was the other
side of his face. When I was merely human, it was just a way to
concentrate, to get the maximum punch out of your body. Now, suddenly,
aiming to punch a hole through someone had a whole new meaning.
Blood spattered, and his cheek gave under my fist. I thought I heard his
jaw break. The blow spun him around, and he fell onto his side, chair and
all. He fell on the floor and didn't get back up.
Jesus, one of the uniforms said, Jesus, you broke his neck.
Had I? I stood there for a second with my right hand covered in blood, and
I realized that my hand hurt. I'd cut myself on his teeth. He's not
dead, I said, and my voice was hoarse.
Everyone was staring at me, and not in a good way. More like I'd sprouted
a second head, and it was a big, scary one.

(tom 12). Z?amanie szcz?ki wampirowi jednym uderzeniem pi??ci to nie byle
co: w tomie 3. Circus of the Damned Anita mia?a okazj? do
eksperymentalnego sprawdzenia, jak skuteczne jest przejechanie wampira
rozp?dzonym samochodem. Ona i jad?cy z ni? Larry Kirkland wyszli na tym
gorzej ni? wampir. (Od tomu 4. The Lunatic Cafe Anita je?dzi jeepem
Cherokee Country, bo z Nova po zderzeniu z wampirem nie by?o co zbiera?.
Ten jeep wytrzyma? tylko do 10. tomu Narcissus in Chains; Anita mia?a
wiele k?opotów z uzyskaniem odszkodowania od ubezpieczyciela, który nie
chcia? uzna? po?arcia przez hieno?aki za uszkodzenie w wyniku wypadku).
Geralt miewa w?tpliwo?ci, kto tu jest potworem, np. bazyliszek czy
pryszczaty i jego kumpel olbrzym w w skórzanym, rze?nickim fartuchu. Anita
Blake ma coraz wi?cej takich w?tpliwo?ci. Od

A vampire was a person once. Just being dead doesn't cure you of any
problems you had as a live human being. If you have a violent pathology
before death, that won't change just because you're dead.
Freemont looked at me like I was the one who was crazy. I think it was the
word dead that was bothering her. Once her suspects were dead, they
weren't suspects anymore. I tried again. Say Johnny is a serial killer.
He becomes a vampire. Why should being a vampire make him suddenly less
violent? Why not more violent?

(tom 5. Bloody Bones), porzez

He looked up then. Your anger can't be worse than the rage of the beast.
I laughed, and it was closer to humor than his earlier laugh had been, but
not by much. Oh, Richard, you haven't spent enough time in my head if you
believe that.
He shook his head, stubbornly. A human isn't capable of the kind of
mindless rage that the beast is.
You haven't researched many human serial killers, have you?
You know I haven't, he said, and he sounded grumpy.
Don?t go all grumpy on me, Richard, I'm trying to make a point here.
Then make it, he said.
See, that's exactly what I'm talking about. That sounds more like me,
than you. You've been quicker to anger for the last bit, and I've been
less quick to anger, why? What if you got some of my anger, and I got some
of your calmness?
He shook his head again. You're saying that your human anger is worse
than my beast's rage. That's not possible.
It was my turn to shake my head. Richard, you seem to think that human is
better than lycanthrope. I don't know where you get that idea.
Humans don't eat each other.
Shit, Richard, yes, they do.
I don't mean cultures that have ritual cannibalism.
Neither do I.
Comparing lycanthropes to serial killers isn't going to make me feel
better about being a lycanthrope.
My point is that humans can be just as rage filled, just as destructive.
The difference is that a werewolf is better equipped for mayhem than a
mere human. If human beings had the fangs and the claws that you guys do,
then we'd, they'd, be just as destructive. It isn't lack of wanting to do
it, it's lack of the right tools that make humans less scary.

(tom 12. Incubus Dreams; Richard jest wilko?akiem), po

Actually, Sergeant, I have sole discretion on whether a warrant is
finished or not. Mark me on this, if we don't get these guys in St. Louis,
they'll move shop. We got some of them tonight, but not all of them, and
we sure as hell missed the big guy, and if you don't kill the main master,
he just moves somewhere else and starts making new vampires. It's like
going in for cancer surgery, if you don't get it all, then it keeps
spreading.
I thought you were dating a vampire, he said.
I am, I said.
For someone who's dating one of them, you have a damned dark view of
them.
Ask me how I feel about human beings sometimes. I've gotten called in on
too many serial killer cases, where they want it to be a monster, because
they don't want to believe that one human being could do shit like that to
another human being.

(tom 12). Anita ma co? wi?cej ni? Geralt. Ona czuje, ?e z ka?d? zadan?
?mierci? traci kawa?ek siebie, kawa?ek duszy. Jeszcze jeden fragment
Incubus Dreams:

It must have shown on my face, because he explained, Your hands are
shaking. I'm afraid you're going to drop the cup. He eased it out of my
hands and set it on the table.
I stared at my hands, and he was right. They were shaking. Not a fine
tremble, but a full-blown quaking, as if from the wrist down I was having
a fit. I stared at my hands like they belonged to someone else.
Micah knelt in front of me, he put his hands on mine, held them tight
between his. Anita, what happened?
It felt good for him to hold my hands. It helped the shaking to slow, but
it didn't go away. What happened? What had happened? What made this one
different? Everything, nothing. It took me two tries to talk. I had to
talk to him.
Him who?
The vampire I killed tonight. The trembling was quieting under the press
of his hands. My voice didn't show the trembling at all, it was empty.
Why did you have to talk to him?
Interrogation, had to interrogate him.
Micah touched my face, and it startled me, but it made me look at him. His
eyes were very green in the dimness of the kitchen, with that yellow
around his pupils more like light gathering around a single point. Did
you learn what you needed to know?
I nodded, still staring at his eyes.
And why couldn't you wait until dawn to kill him?
I shook my head. He was one of our serial killers. Couldn't risk him
getting away and warning them.
Then you had to kill him. He put his hand on the side of my face, and
that made me look at him more, not just fascinate on his eyes.

Anita ma te? - rosn?cy z ka?d? spraw? - zestaw koszmarów, po których budzi
si? z krzykiem.

Wied?minom szybko goj? si? rany i s? oni odporni na choroby i trucizny.
Anita uzyskuje stopniowo odporno?? na choroby i trucizny; przyspieszone
gojenie mo?e jeszcze spot?gowa? o ile dostanie od kogo? dostatecznie wiele
mistycznej energii: w 15. tomie The Harlequin rozdarcie pow?ok brzusznych
(bez perforacji jelit) przez tygryso?aka goi jej si? w nieca?e 10 godzin
dzi?ki uprzedniemu nasyceniu jej sukkuba przez króla swanmanes, który
pozwoli? jej za swoim po?rednictwem czerpa? energi? od wszystkich
swanmanes w Ameryce. Energia posz?a na uleczenie umieraj?cych wampira
Jean-Claude i wilko?aka Richarda, ale to co zosta?o wystarczy?o na
rozszarpany brzuch.

Znakiem firmowym Geralta jest nieprzyjemny u?miech:
? Wielcem rad ? bia?ow?osy u?miechn?? si?. Na widok
tego u?miechu, kwitn?cego na bladej twarzy jak p?kaj?ca
rana, t?umek zacz?? si? szybko rozprasza?. (GM)

Anita oczywi?cie te?:

tom 1. Guilty Pleasures:

She's afraid of you; did you know that?
I smiled, and it wasn't a very nice smile. I could feel the edges curl up
with a dark sort of satisfaction. I hope the little bitch is sweating it
out, big time.
She is, he said. His voice was very quiet.

tom 8. Blue Moon:

I smiled, and even to me, it felt like a strange smile, not humorous,
unpleasant maybe.

I settled for one of those smiles you get sometimes when what you really
want to do is hurt someone.

tom 11. Cerulean Sins:

I could feel myself smiling, and I didn't need a mirror to know that it
wasn't a nice smile. It was the smile I got when I'd been pissed off too
much and I'd finally decided to do something about it.

tom 12. Incubus Dreams:

I sipped the last of my coffee, put the mug down carefully on the cabinet,
and smiled. I knew without a mirror that it wasn't a good smile. It was
the smile I got when I finally got to do something violent, when people
had been making me behave. If I'd had any doubts about the smile, Fredo
pushing himself upright, hands loose at his sides, clinched it. He knew it
was trouble. The look on Micah's face said he knew it was trouble, too.
Even Clair looked worried.

Now I was smiling, but it was a smile the way a flash of teeth is a smile.
Sometimes it's a smile and sometimes it's not. Put your hand close to the
dog's mouth and find out.

I leaned into him with a smile. I knew what smile I was giving him, it was
the cold one that left my eyes dead. My gun was pressed, not too hard to
his chest, just over his heart.

tom 14. Danse Macabre:

You won't shoot me, he said, and he sounded sure of that.
I felt myself smile, and knew it was the smile that creeped me out when I
saw it in a mirror. It was a cruel smile, a smile that said Not only would
I kill you, but I'd enjoy it.
His eyes went a little uncertain at that smile. Good.
I will shoot you. I'll kill you, if I have to.

Poza tym Anita ma jeszcze dwie wa?ne miny: spojrzenie gliniarza - puste,
nic nie mówi?ce przes?uchiwanemu, i ta specjalna mina przywodz?ca na my?l
bia?y szum, zwi?zana ze stanem psychicznym tu? przed oddaniem ?miertelnego
strza?u: ch?ód, pustka, cisza, koncentracja na celu.

Zosta?y mi jeszcze dwa drobiazgi, wi?c ci?g dalszy zapewne nast?pi.

--
--
Z powa?aniem
Marek Szyjewski
Ziemia = kula u nogi


Na górę
  
 
Post: 14.09.2007 @ 1:57:46 
[ciach]

> ('H' = 'Kl?twa', 'e' = 'upad?ych', 'x' = 'anio?ów' - jak b?dzie w takim
> razie 'hexer'?)
>
> --
> --
> Z powa?aniem
> Marek Szyjewski

Ja bym proponowa? Zaklinacz upad?ych anio?ó . ;-)

--
Pozdrawiam
Rafa?


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